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Category Archives: Photography

Improve DSLR Photography Skills

Find out how to play with the shutter speed. You may choose to snap a quick picture or choose a slower exposure to capture a flow or movement in its entirety. You’ll have to experiment with this and discover what type of speed matches specific situations. This is a question of personal style instead of a general rule to follow.

It is possible to allow the camera pick the proper white balance for any particular environment, but sometimes the camera will get it wrong and the photo will look washed out.

If you’re having difficulty holding your camera straight, purchase a tripod. A tripod will go a long way in helping to keep your camera in position, so that you can focus on other variables aside from balance. Tripods work great if you’re in the wilderness or in an irregular terrain.

Use a fantastic lens to have a better image quality. It is possible to make artistic pictures with any sort of equipment if you work hard and adapt your style to your gear. But getting a fantastic lens opens up more possibilities.

Make use of lines to draw the viewer’s eye to the photograph. If done properly, the lines themselves may even be an interesting subject themselves. The use of lines in photography is a complex topic, but the most important issue to consider is they should draw you in, not push you apart.

You can do a lot to change the quality of your pictures by adjusting the focus of this shot. This doesn’t always need to be in the middle of the photo. Getting your subject in the lower right hand or left hand corner, as an instance, can increase dramatic aspects of your picture.

You may move the subject around so you can get a shot you find interesting. Depending upon the impression you wish to convey, try shooting your subject from different sides or from above and below.

Patterns can be an excellent design motif if you use them properly. You will find patterns on almost anything. You can locate them on lots of clothes, in design, and even in character.

About Handling New Models

For one, this diverts the hair and makeup craftsman. Rather, I watch them painstakingly. I search for their general feeling of being. How they hold themselves, on the off chance that they are loquacious with the hairdresser or in the event that they’re timid and hard to get through. I search for their body stance, they’re general nearness. It’s somewhat similar to being an investigator. Then again even an analyst.

When I get them before my camera to start with, I warm them up by being well disposed yet not excessively fake. I need them to realize that my gestures of recognition are real and not over the top. I need to recollect that new young ladies to require a great deal of commendation. Generally now, when I shoot, the models are experienced. It’s less demanding for me since I don’t need to do a great deal of persuading or notwithstanding guiding. They take after my couple of bearings and it’s forward to a breathtaking shoot. Yet, new young ladies don’t know how to act out, generally. What’s more, they don’t know how to posture. They are new to their bodies, making it extreme for them to radiate certainty. I generally warm up by shooting a couple “test” pictures so I can learn about them and see where their qualities and shortcomings are.

I am not a bombastic picture taker. I don’t holler out things like, “goodness infant, that is hot!” or “gracious stunning, offer it to me infant”. A few young ladies require that, I assume. To me it just feels gooey. I feel it’s needless excess to let them know each time the shade clicks how astonishing they are. Be that as it may, for some new young ladies, it’s practically required. So I need to yield and yell out a couple of those regular lines. I overlook I need to, and I’m immediately reminded to do as such when they’re not warmed up after the initial 100 pictures.

I need to concede that more often than not I need to get on the cyc and demonstrate to them a couple postures. At that point I begin doing it before them when I have my camera up to my eye, making it a humorous however viable showcase. They take after my lead in the end and we can get on with making an extraordinary style shoot.

Music makes a difference. Giggling makes a difference. Making things light and straightforward, not excessively strained makes a difference. All things considered, we need to recall that it’s a fashion shoot, not Supreme Court. Young ladies look better and move better when they’re casual and calm. I’m not a despot on my sets so I think this for the most part helps the anxious young ladies unwind after a couple of shots.

Monet has gone ahead in her profession to wind up a refined on-screen character with parts in Johnny Depp’s “Blow” and “Stoned”, where she played renowned worldwide fashion symbol and rock spouse, Anita Pallenberg.

I had given Monet a couple times before we did this shoot together and I saw that Monet worked best when she was given a part to work with. Having her walk and move around worked superior to anything remaining on a consistent and posturing. So I took her out to the slopes in Malibu and we simply played. The outcomes were magnificent to the point that I did my extremely display show with the 16 pictures we got from our one day shoot.

Pick the Ideal Digital Camera

If you’re an amateur photographer, keep to the low-end of cameras, one that you can afford. Then teach yourself about composing photos, exposure, along with other techniques.

Once you determine that you enjoy photography as a hobby and you would prefer some advanced functions, then you can sell your old equipment and graduate to higher-end models.

If you figure out that you’ve got a secret gift in taking great pictures and you’re thinking that you may genuinely wish to make some money from your talent, then you can spend more money on fancy equipment.

But your cash goes furthest if you get quality lenses. This will make a bigger impact than buying a costly camera body.

The biggest misconception when picking a camera is that the megapixels make a big difference in the quality of your images.

Unless your image is going to be plastered on a billboard, every camera presently on the market should be perfectly sufficient to satisfy your MP needs.

Instead, think about these distinctions between high-end DSLR vs. low-end DSLR vs. point-and- shoots.

  • Price (the difference between the top and bottom could be a few thousand dollars)
  • Response time (the time it will take the camera to take the photo after you hit the shutter)
  • Auto-focus
  • Functionality in low-light conditions
  • Video functionality
  • Weather-proof bodies

So here’s how to tell if you are a true photography buff: if you’re always snapping pics with your camera, particularly of things that many people probably would not consider photogenic, then you can consider yourself a real aficionado. In this case, you’re probably a person who would take advantage of the extra features of a DSLR.

Taking and Editing Baby Pictures

First, let’s talk about several ways in which you can take better photos of your baby.

  • Choose a Great Pose

By placing the baby in a cute or interesting pose, you can take a much better shot. Try to capture the baby in a natural and comfortable pose, such has when she’s sleeping or laughing. Also, always make the baby’s face the main point of interest of your composition. The face holds all her character and emotions so it makes your picture much more powerful.

  • Make Use of Props

Props are an exciting and creative way to take innovative and unique pictures. By placing the baby in a basket or by dressing it up in a fun costume, you can add freshness and interest to a picture. When it comes to props, you can try to think outside the box and come up with something that is both suitable for the situation and never seen before.

  • Pay Attention to Light

Lighting is everything in photography. The word “photography” itself means “writing with light”. When taking baby pictures, soft light is very pleasing to the eye and appropriate in terms of composition. Babies are gentle and fragile, so the light should reflect that. Sharp contrast and strong shadows may work elsewhere, but for baby photos, the softer the light the better.

  • Location, Location, Location

Depending on the time of year and on the purpose, baby photos can be taken both indoors and outdoors. Indoors are better for making the most of your props and being creative with the pose. However, the outdoors offer variety in terms of the background and make the shot more aesthetically pleasing.

  • Include the Parents in the Shot

When including the parents, it is important to really show the parent-child connection. Again, the pose is here very important. Try to emphasize the contrast of size between the baby and the parent, or try to place them in a nurturing and protective pose.

Editing Baby Pictures

After you have come up with many great baby photo ideas and finished the shooting, it is now necessary to edit the pictures with Movavi to make the best of them.

  • Removing the Background

If, for some reason, you are unhappy with the background, you can easily remove it using a photo editor. A good editor is the photographer’s best friend – it offers endless possibilities. After you have removed the unwanted background, you can replace it with something more appealing or suitable.

  • Captions and Filters

Professional Tips for Taking and Editing Baby Pictures -2Filters can add depth and interest to a photo. By selecting a filter that adds softness, you can emphasize the subject – the baby. What’s more, when you add caption to image, you can easily tell the story behind the picture. Your captions it can be something as short as a single word or a complete sentence.

  • Retouch the Photos

Retouching is another important step in editing. By correcting the white balance and colors, you can make the photo even more striking. There is no need to spend hours retouching pictures – photo editing software usually comes with some built-in presets. So, if there is little time for editing, just select the best preset for the picture you are working on.

  • Cropping the Photo

When taking and editing a photo, we should try to keep to the rule of thirds. The rule tells us where we should place the subject to make the composition better. By following this rule, we make sure our subject shines. Cropping the photo in post-production to adhere to this rule is sometimes necessary, but do try not to crop too much.

  • Effects

Editing software often also comes with some effects that can be added to a photo. Effects can be used to bring attention to the subject, and they can also add some flair to the photo. However, choose the effects carefully and always follow the rule – less is more. Too many effects can affect the composition badly.

All about Photo Booth

1. They can turn any boring event into a fun:

It can be any kind of party viz weddings, birthdays, New Year bashes, photo booth turn every occasion into fun. Almost everyone in this technology savvy generation is keen on clicking pictures and updating on social medias and what do we do? Give them a chance to showcase themselves. It also makes a social gathering less boring.

2. It requires zero efforts:

It doesn’t require some extra, huge efforts from your side. You can easily let someone attend the booth for roughly three to four hours. Any staff member would be eager for the job as it doesn’t require any effort.

3. Choose some classy props:

You can render these photo booths more interesting by adding some funky props like smiley’s, glasses, a decorated frame and let people revel and click. These props will make it a fun task and the party will eventually be a huge hit.

4. DJ addition:

What can one do more with props? Props and DJ will be a huge merriment for the guests. You can pose as well dance with the props. Some live performances will also render them and you an amazing host.

5. Photo booth customization:

You can choose and customize a booth which matches the theme of your party. Choose a palette which matches with your theme.

Editing In Adobe Lightroom

1. Adding white balance

When you click on white balance option, there is a pop-up list of white balance options such as daylight, cloudy, tungsten and more. You can use one of the options to fix the white balance of your raw image or try better options from the list.

2. Color and Tone Correction

Adjust the color balance in photographs. Clarity, vibrance, hue, saturation, tone curve etc. are some of the Lightroom options to correct the color and tone of the images. The vibrance slider is used to control saturation but it does not oversaturate skin colors.

3. Correct the exposure

The raw image may be overexposed or underexposed. Use the exposure slider to increase or decrease the exposure values.

4. Enhance the details

Use the fill tool to bring back the missing detail in the image which is present in the raw file.

The amount of brightness captured by the raw image is much more than a regular jpeg image. Adjust the values in the highlights slider to recover the details from a raw image in Lightroom.

5. Vignette effect

Lightroom has a post crop vignetting feature which can be used to add effects to a cropped image.

If you have a lot of highlights in your image then choose the Highlight Priority effect. Choose the Color Priority effect to preserve color hues in your raw image. Select the Paint Overlay option to blend black and white colors with original colors of your raw image.

6. Grain effect

Add a film grain style to your raw images to create grain effect. For revealing a part of the image, add the grain effect to rest of the image area with a higher value as grain amount. You can control the size, amount, and roughness of the grain. For a blurred image, increase the size of the grain particle to more than 25%.

7. Dehaze effect

There are times when weather conditions can lead to a hazy image with smoke or fog. To fix the haziness or adjust it, use the dehaze effect. Once you have made the required changes to the photograph by adjusting the color, brightness etc., go and select the “Dehaze” options in the effects panel.

8. Radial Filter

To focus on people or objects in an image, you can use the radial filter. After you select the radial filter from the toolbar, you need to select an area of focus. The filter gives you the choice to apply the modification inside or outside the circle drawn by you.

While working on projects for photo retouching services, you can add more radial filters on the images to bring multiple objects into focus.

9. Paint with the Adjustment brush

Lightroom gives you the freedom to paint the local adjustments such as brightness, tint, saturation, clarity and more. This alternative lets you paint adjustments in parts of the images as per your choice.

Similar results can be achieved with the Graduated Filter tool.

10. Retouching

Professionals widely use the retouching features of Lightroom to deliver high-quality photo retouching. You can remove blemishes, adjust brightness and make a lot of adjustments to retouch photos.

Here is one quick tip; before starting to retouch portraits, tick “Profile corrections” and “Remove chromatic aberration” in the basic tab under the lens corrections tab to fix distortions captured by the camera lens.

11. Save presets

You can save the changes that you make using the Adjustment Brush tool or the Graduated Filter tool as a preset. Use the “New Local Correction Setting” to save the adjustment presets and use it again while working with raw images. These presets can be useful while working on color correction of similar images.

12. Add Camera Raw

You can use the Camera Raw plugin with Lightroom to correct distorted perspectives and do more. Camera Raw is another raw image processor from Adobe and has similar photo editing functions.

Pose Like a Model

1. The Classic Hands-On-Hip

It’s always a good idea to not leave your hands limp or rogue. Perching one arm on the hip, weight shifted to one side and relaxing your shoulders. This “Teapot” pose is so popular with models, it slims your figure and creates a tall and dignified look that makes the waist appears slimmer. Be sure to position your lifted arm that’s placed on the hip to show off any fancy accessories or nail polish art.

2. Use the Mirror

Pose in front of your new BFF, the mirror, until you are near perfect at it. Learn your body shape and pick sides and angles you love. Forget about feeling guilty about your vanity, and remember “all is vanity”. Use your imagination and pretend someone else is behind the mirror, camera in hand and snapping away. Keep your feet in check for full-body shots, they are always closest to the mirror and you do not want to appear big-footed.

3. Go Lower

When sitting your camera height should be well above your eye level and your photographer standing a little far for the best result. This particular technique would show all your features, hair and makeup and also give you the illusion of a more petite, skinny frame.

Photographers often totally forget their own height and shoot from below the model’s eye line and you should never let them do that if you want the perfect photo. The chances that a shot from below help increase the height of subject or create the dramatic heroine shot you may be looking for are slim, and failed results with disappearing chins, weird shadows and dwarf shots are nearly always the end game.

For selfies, keeping your phone lens above your head will capture only your best angles and keep your neck looking elongated and swan-like.

4. Turn Your Head

If your face is asymmetrical in any way, not to worry you’re in good company. The easy fix for photos is to turn your head a bit when snapping and let the perfect tilt and camera angle hide that crooked smile of yours. Tilting your head is also a great trick for slimming your profile so if you really want to pose like a model, try turning slightly rather than facing the camera head on.

5. Stand Straight, Chin Out

Let the one thing you do not forget about perfecting your photo posture be to put your best foot and chin forward and stand up straight.

Cameras are only two-dimensional, meaning a photo cannot display its subject in all three dimensions unless it is shot that way purposely. When posing in front of the camera and looking straight at it, pushing your chin out, down and forward can extend your jawline, creating the sharper and stronger facial lines that are associated with model features.

Take Amazing Travel Photography

Choosing the best camera to buy requires a good amount of research. However, most modern cameras will do a good enough job, particularly if you do not want to get technical. Today, if you buy any mirrorless or DSLR, you will get a very good camera. Just skip the kit lens and buy a good general purpose one but not a super-zoom as those compromise in image quality and low-light performance. For just making nice photographers, you can get a smaller fixed-lens camera. There are plenty of premium models offering 1″ sensors which is a huge leap in image quality from the typical ultra-compact and cellphone camera.

Still, better image quality only allows a photographer to show the images bigger. It does not improve a photograph itself. Even a low-end camera now offers much better image quality than what 35mm used to be like 20 years ago and many such images graced covers of National Geographic. So, make sure you have a camera and let’s get started on how to make amazing photographs!

Actually, the second step to create stunning images starts without the camera! What your images need to do is share your amazement of a place. So what you need to do is look for what amazes you and investigate it well.

Say you just arrived in downtown Lima at the Plaza de Armas. The plaza is enormous, it’s surrounded by imposing historic buildings on 3 sides, there’s a huge fountain in the middle, lights, flowers arranged in patterns and hordes of people passing through.

You feel amazed but you can’t snap a photo as soon as you step onto the plaza and expect a great outcome. An actual photo of the plaza in impossible from within it, you would need to seek a good vantage point for that. Instead, find each element and details that make the place amazing to you.

The cathedral, for example, on the east side of the plaza, is extremely imposing. It also has these spectacularly carved wooden balconies protruding from the stone walls. Get close to it, look at what element fascinates you the most. Once you have mentally noted elements that interest you, it’s time to start composing your image.

Composing means place elements together. Of course, you cannot move the cathedral or the fountain but you can move yourself to show elements together or separate them. This is where the camera lens makes the whole difference and where zooms greatly help. Place yourself where you can see the elements you thought of and bring the camera to your eye. Look and inspect the view. Adjust your position and zoom until what attracted you to make this photo is prominent and there is little to nothing else in the frame. Remember the saying:

“Perfection is Achieved Not When There Is Nothing More to Add, But When There Is Nothing Left to Take Away” – Antoine de Saint-Exupery

Already if you get this right, your photos will have much more impact. Then you can further improve the composition by adding other techniques:

  • Leave space in front of the subject. Either unoccupied space or something which establishes location, such as a patch of flowers.
  • Let a complimentary subject in the frame. For example, a person or animal to show the scale of things.
  • Include a leading line, something which points to the subject, a road, fence, etc.
  • Tilt the camera up to exaggerate perspective for imposing subjects.

Rules of Composition in Photography

Basically, if you imagine a photo divided into thirds, both horizontally and vertically, the main subject of the image should be where a vertical line cross a horizontal one.

Many modern cameras allow you to place a grid in the viewfinder which can be used to place the object where two lines intersect. While we are talking about the Rule of Thirds, it is generally best to place the horizon on one of the thirds, rather than in the centre of the frame, dependent on whether the main points of interest are in the sky or on the ground.

Leading Lines

These lead the viewers eyes into the picture either to the main subject or on a journey through the whole of the picture. Examples of leading lines could be a path wandering through the image, a fence line, a meandering road or a stream or river.

Symmetry

To demonstrate that the rules are no more than guidelines, the next one contradicts the Rule of Thirds. If your image is symmetrical, then it could benefit from being centred either on the horizontal, or vertical centre line. This works particularly well for reflections

Rule of Space

This rule is talking about giving the subject in the photo, space to move into the frame. This particularly applies to animals and vehicles. The object should have the most space in front of it, and not be right up to the edge of frame, giving it nowhere to go.

Rule of Odds

Generally speaking, it is thought that photos with an odd number of subjects is more visually appealing and natural looking than those with an even number, where the viewers eyes may flick around the image, unsure of where to settle. I tend to use the rule of odds particularly if taking a close up of flowers or the like.

I hope that I have given you a brief insight into composition and that when you next look through your viewfinder you will at least stop and think for a few seconds at what you are looking at and how the shot may be improved. But just remember, these rules, and all the others you will come across, are simply guide lines to help you go in the right direction, they are not railway tracks that you have to stick to rigidly. Finally I will end with the words of Pablo Picasso – “Learn the rules like a pro, so you can break them like an artist.”

Studio Photoshoot

The main light has to be placed in a very specific position in comparison to the model. The angle, height, and distance of the main light are vital to getting the right look. You do not want this light in the models eyes or from a side angle. It also needs to be placed at a good height so you are not casting shadows on the models face. With this light you need to use a diffuser or a soft box to help decrease the darkness of the shadows in the picture.

A hair light is a second light that sits in a specific position. Basically, the hair light is placed behind the model for a few reasons. To use this light correctly attach a snoot to it. A snoot is an attachment to the light that helps direct the light to a specific spot on the model; in this case it is for the hair.

The camera, you need to connect your camera with the studio lights so everything flashes in the right connections. There are a couple of was to handle the camera for a photo shoot. One of the ways is to put it on a tripod and keep the camera stationary. By doing that you will help eliminate blur and you can find a sweet spot to stay at. Another way is by just holding the camera and creating different angles while the shoot is happening.

The reflector is used to bounce light onto the models features from the main light. There are a few different types of reflector; you could use a white, black, gold and silver colored reflector. You would want to use a white reflector when the area you are taking a picture in does not have enough light. A black reflector would be used to take away light when there is too much shine washing out the model. A gold/silver reflector is for the happy medium, but find what works best for you and best for the situation in general.